Latest

Selected Works: The Tolbooth, West Wemyss 16.09.2025
Learning Through Making: GRAS at Leith Academy 28.08.2025
Studio Day Out — Learning from Broadwoodside 17.08.2025
Preston Tower Featured in RIAS Quarterly: Building Resilience through Conservation 05.08.2025
Kyle House in Isabelle Priest’s “New Scottish Houses: Contemporary Architecture and Living in the Landscape” 29.07.2025
Natasha Huq Co-Presents RIBA House of the Year on Grand Designs 23.07.2025
3 Days of Design, Copenhagen, June 2025 08.07.2025
GRAS joined the Scottish Vernacular Buildings Working Group 05.07.2025
Burr’s of Tongue awarded Silver at Scottish Design Awards 2025 27.06.2025
Jess Elliott Dennison at Lamb’s House: A Spring Cookery Workshop 24.06.2025
View all entries
The Stonemason’s Objects
_GSS1477

The Gathering Hand is derived from GRAS’s five decades of passionate, hands-on creation, historically in the fields of conservation, architecture and interiors and from the practice interest in interdisciplinary design. Through The Gathering Hand, GRAS celebrates the innate human drive to make.

A family of objects expressed in elemental forms—cylinders, disks, hemispherical cuts—as an ode to the simple stone slab. The edges of the Portland stone are delicately softened by the bead-blasting processes and in turn the material’s surface expression is highlighted. A considered shadow gap under the Vase and Bowl elevates the volumes ever so slightly. The continual, hemispherical slice of the Bowl creates a gentle concave cradle for fruit or mementos; its bare surface mingles beautifully with passing light. The paired cylindrical Weights hold a level of ambiguity, their usefulness spanning limitless occasions.

GRAS debuted The Gathering Hand collection with an exhibition at Blue Mountain School during London Design Festival 2022. The Carpenter’s Tables and the Stonemason’s objects are made-to-order.

For sales or exhibition enquires please contact info@thegatheringhand.com

The Objects are now available to purchase via thegatheringhand.com, with worldwide shipping or next-day collection from our studio at Custom Lane, Leith.

 

Location

Edinburgh, Scotland

Client

GRAS

Completed

2022

Type

Object

Project Lead

Alistair Byars

Photography

Gabriela Silveira
Shaun Barton

The Stonemason’s Objects

The Stonemason’s Objects Details

_GSS1464

The edges of the Portland stone are delicately softened by the a bead-blasting process and in turn the material’s surface expression is highlighted. A considered shadow gap under the Vase and Bowl elevates the volumes ever so slightly.

_GS_1616
_GS_1623
_GS_1624

The continual, hemispherical slice of the Bowl creates a gentle cradle for fruit or mementos; its bare surface mingles beautifully with passing light. The paired cylindrical Weights hold a level of ambiguity, their usefulness spanning limitless occasions.

GRAS x Albion Stone_Stonemasons Process_Shaun Barton (1)
GRAS x Albion Stone_Stonemasons Process_Shaun Barton (8)

Material Focus

  1. Bead-blasted Portland stone

Quarry slab samples are a fixture of our studio’s material library and we have long
appreciated their raw architectural beauty.

Alistair Byars, Project Lead